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During Milan Design Week, the Visteria Foundation presented “Polish Modernism. A Struggle for Beauty”, one of the most significant exhibitions dedicated to the legacy of Polish modernism. Alongside historical icons, contemporary works were showcased, revealing how the ideas of modernism continue to permeate and define the language of Polish design. Among the creators invited to take part in the project was Maja Ganszyniec, one of the leading voices in contemporary design. As an official partner of the exhibition, OMNIRES presented BEYOND – an exclusive bathroom fittings collection designed by her.
The exhibition took place on the 16th floor of Milan’s iconic Torre Velasca — a landmark of post-war modernist architecture. As part of the collaboration between OMNIRES and the Visteria Foundation, a cohesive space was created based on a shared aesthetic vision. The installation by Zofia Wyganowska introduced bold, almost scenographic architectural forms that established a striking dialogue with the existing interior, expressing the synergy between Polish and Italian modernism.
Because the term "modernism" can be interpreted in many ways, we intentionally referenced the classics of the 1930s, even though the exhibition itself predominantly presents contemporary works. The most important aspect of the exhibition is demonstrating how the idea of modernism continues to inspire contemporary designers. BEYOND, designed by Maja Ganszyniec, is an excellent example of how a modernist approach to design and industrial production remains relevant today, and how such an approach can successfully lead to the creation of meaningful, enduring products.
Anna Maga, Exhibition Curator
Within the exhibition setting, the bathroom fittings gained a new artistic dimension. The stone-like character of the installation referenced modernist bathrooms, while the fittings were presented in chrome — a finish deeply rooted in the aesthetics of modernism. The entire composition was carefully curated, creating a layered narrative through the interplay of design, architecture and art.
“This is an example of an exceptionally conscious partnership and a compelling presentation of the possibilities offered by both materials and Polish design,” emphasises Hanna Rydlewska, Vice President of the Foundation.
From the very beginning, we had a clear vision for the BEYOND collection: to create a design that honours everyday rituals. The bathroom is an intimate, personal space associated with repetitive activities that carry their own rhythm and meaning. At the same time, we are speaking about an industrial product that is technologically advanced and demanding in terms of production. It gives me great satisfaction that, together with the OMNIRES brand, we succeeded in combining these two dimensions – the intimacy of the user experience with the durability and precision of an industrial product.
Maja Ganszyniec, Maja Ganszyniec Studio
The BEYOND collection was created from the belief that beauty and function should remain in the service of people – supporting everyday rituals, fostering a sense of balance and responding to the human need for intimacy and a sensory connection with space. This approach stems from a humanistic understanding of modernism, in which an object becomes a consciously shaped element of the environment – shaping emotions and enriching everyday life. Presented among iconic works of Polish design, the OMNIRES installation becomes a natural continuation of this narrative.
The activities of the Visteria Foundation, which strengthen the international presence of Polish design, naturally resonate with the values of OMNIRES. We regard our participation in this project – both as exhibition partner and co-creator – as an important contribution to the international dialogue on contemporary design and as an expression of the significance of Polish designvculture.
Paulina Shacalis, Managing & Creative Director, OMNIRES
The exhibition presented by the Visteria Foundation juxtaposed historical and contemporary objects. Functional forms were combined with artworks — including lithographs, drawings and sculptures by artists such as Katarzyna Kobro, Władysław Strzemiński and Wojciech Zamecznik. This dialogue highlighted how Polish modernism united decorative arts, design and architecture, while also revealing the depth and continuity of Poland’s design heritage.
The story of Polish design returns from the international stage to the place from which it emerged. Following its presentation during Milan Design Week, the exhibition “Polish Modernism. A Struggle for Beauty” will be showcased in Poland at the headquarters of the Visteria Foundation, continuing the dialogue between heritage and contemporary design. It will also offer a unique opportunity to experience BEYOND firsthand – a premiere collection honoured with the prestigious Red Dot Design Award 2025.
Exhibition “Polish Modernism. A Struggle for Beauty”
3 September – 11 October 2026
Willa Gawrońskich
23 Ujazdowskie Avenue
Visteria Foundation Headquarters